Wednesday, October 15, 2008
Once upon a time, Early one morning, in 2nd year
Professor: Good Morning Class!
Professor: Today we shall be dealing with the Pharmacology and Pharmacodynamics of Alcohol
Professor: But before we get into anything technical, let us ask ourselves, why we start drinking, you boy there stand up…
Boy1: Uh… Out of the curiosity and peer pressure sir
Boy2: I don’t know sir
Boy3: Sir we drink alcohol for Pharmacological Purposes sir, such as CNS neuronal depression, microvascular and gastric vasodilatation, respiratory stimulation, gastric stimulation and sir diuresis.
Professor: (looks depressed) Ok. This side of the class? (points to some girls)
Girl1 (Gao1): Far Enjayying!!
Girl2 (Friend of Girl1): Far Keeeeck!
Girl3: (has hangover)
Professor: That's better.
Wednesday, October 1, 2008
What makes me gape in wonder at this show every time?? Its just an animation. A chimera. More insultingly, its just a silly cartoon.
But it’s much more than that.
Phineas & Ferb is a new cartoon released earlier this year that shows on Disney, it was nominated for the Emmys soon after its release. It is the first Disney Channel Original Series to premiere simultaneously worldwide and an army of creative people have dedicated their lives to make it happen.
The episodes are mathematical and voluptuous in its creative content. What is the formula? and how are the variables so amazing? in the context of the constants in the formula? How does it all click? I had to sit and think about all this because my id was constantly yanking my chain... yanking... yanking...yanking...yanking...yanking...yanking... (you get it)
There is a clear outline in every episode, like in a drawing. It captivates your interest, if you are someone/anyone who possesses the spirit to sit and observe with a manic curiosity.
Every episode has three parts:
A hyper-creative often unreal but plausible-to-the-imaginative, fantastic main scenario focusing on Phineas and Ferb- (the plot). The quality of the episode is set into the quality of the plot. A minor scenario involving a jealous, complaining teenage sister Candace and her friends – (the antiplot). The third section which is called - more pivotal than the plot even, is also the funniest section of the show in which the pet platypus (perry the platypus) pits himself against a funny but evil scientist, when the characters are too busy with the plot and the antiplot to notice, the platypus transforms into a secret agent (agent P) and disappears to his hideout to involve himself in my favourite section of the show, engaging with an unbearably hideously hilarious mad scientist to stop him from destroying the whole of the tri-state area with an always ingeniously wacky plan which always involves a cool ingenious machine named a something-inator, this section is more pivotal than the plot even, because the clash between the platypus and his nemesis (who are secretly in love with each other) is structured geniusfully to tie up all the loose ends on the plot and the anti-plot of the show by making that which is designed to destroy the tri-state trigger the destruction of the plot and antiplot, to make everything unbelievable and fantastic that has been created in the plot to magically disappear in a flash, everytime to the disbelief of Candace, before she can bust her brothers by revealing their cool insanity to her mother.
How neatly yet unobviously the characters just slip into their respective places, in a clearly defined and interesting blueprint of an appealing equation (cycle of events), which the architect has so carefully crafted and religiously preserved in each and every episode before retailing it into a neat package, and yet lent unlimited variety to all the constants of that package in countless episodes is a testimony to the work of a manipulative genius. The psychology behind each character is sound, detailed, tangible and appealingly applied. The plots are unbelievable, yet well thought out and no matter how out of hand the situation gets, there are never any questionable loose ends at the end of a show because of the sheer genius from the mind that is a bottomless pit of originality that designed the more pivotal than the plot even section.
The most beautiful part to it - Despite there being so much logic behind its making, at face value there is little or no scope for rationale because you would have to leave that outside the room to appreciate the show and this adds to the appeal of the cartoon architect’s equation because it brings out the child in you and it’s this good feeling that sells to any human being and discredits a big chunk of the critics most creditable tool.
What attracts me to this cartoon:
Childish sentimentality. It’s a cartoon of me.
Phineas Flynn - Phineas is an intelligent, creative boy inspired to make the summer as great as it can be by coming up with ideas for unusual, exciting, and sometimes impossible activities. He is very polite and is never selfish or rude to anyone. Phineas is also shown to have a wide array of musical abilities and can play many different instruments. His stepbrother Ferb is his best friend and partner in their activities. He loves his sister Candace, and often tries to please or help her, as in putting her face on Mount Rushmore for her birthday, making her treehouse better, or helping her learn how to drive. However, he usually and accidently upsets her with his schemes. He has a normal relationship with his mom and his step-dad. He often wonders about the whereabouts of his pet platypus Perry.
Tell me you are twenty!!!!! Grow up!!! And my id will gracefully show you his finger.